Feb 16, 2015 - Islands at the Bush Theatre London. The playwright, Athol Fugard kept us brilliantly enthralled on a wet night in February. Keywords: The Island, Athol Fugard, John Kani, Winston Ntshona, apartheid, ritual, liberation, European canon, play-within-a-play Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service.
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The Island is a play written Athol Fugard, John Kani, and Winston Ntshona. The performance is a collaboration between KININSO KONCEPTS AND AROJAH THEATRE. The apartheid-era drama, inspired by a true story, is set in an unnamed prison clearly based on South Africa's notorious Robben Island, where Nelson Mandela was held for twenty-seven years. It focuses on two cellmates, one whose successful appeal means that his release draws near and one who must remain in prison for many years to come.
They spend their days performing futile physical labor and nights rehearsing in their cell for a performance of Sophocles' Antigone in front of the other prisoners. One takes the part of Antigone, who defies the laws of the state to bury her brother, and the other takes the part of her uncle Creon, who sentences her to die for her crime of conscience. The play draws parallels between Antigone's situation and the situation of black political prisoners. Tensions arise as the performance approaches, especially when one of the prisoners learns that he has won an early release and the men's deep friendship is tested. The Island bears testament to the resiliency of the human heart.
The tragic personal consequences of life under South Africa's apartheid laws are treated with honesty and deep compassion in these three landmark plays written and premiered in the early seventies. World-renowned dramatist Athol Fugard, along with his actor/collaborators John Kani and Winston Ntshona, has explored the painful particulars of his native land and created works with universal implications—plays that carry within them ringing cries for social and political change without ever uttering a word of political rhetoric.
- Sizwe Bansi is Dead reveals the perversities of human identity in a country where a man is equal to his passbook. - The Island celebrates the strength of man's connection to man, even within the dehumanizing confines of a prison cell on Robben Island. - Statements After an Arrest Under the Immortality Act depicts the shattering of two lives under the harsh glare of South Africa's miscegenation laws. All three works, developed and launched at The Space in Cape Town, have since been widely produced in the U.S.
And abroad, and remain as urgent today as they were almost forty years ago. There are three Athol Fugard plays here. Sizwe Bansi is Dead is amazing. I saw it performed at the BAM. The performance was really good - although a little slow at times. Reading it after having seen it was amazing. It is such a powerful play.
I read The Island in undergrad and re-read it recently. It is an intense play - and the tie in to Antigone is great. The weakest of the three is Statements. Since I don't have any history with this one, maybe I just need to read it again to really get it. But first time through, it was only okay.
In general, these works show the power of Apartheid South Africa art. It's a powerful play, but the sustained nudity still bothers me - though not as much now as in the old days, and it's less assaultive on the page than on the stage. I'd forgotten that Ben Kingsley created the role of MAN in STATEMENTS. He played opposite Yvonne Bryceland, whom I never got to see on stage.
Haven't re-read the other two plays in this collection yet. I remember seeing SIZWE BANZI IS DEAD in NY in 1968. It was powerful, though it needed a bit of pruning. THE ISLAND is a fabulous play. I look forward to re-reading it.